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| My copy of TUROK #8. I simply could not believe this cover when I was a kid. All I could do was stare at it. Looking at that cover stalled me from reading the book for quite a while. |
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| My copy of TUROK #9. |
Musings on genre writing, waterfall wandering, and peak bagging in the South's wilderness areas.
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| My copy of TUROK #8. I simply could not believe this cover when I was a kid. All I could do was stare at it. Looking at that cover stalled me from reading the book for quite a while. |
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| My copy of TUROK #9. |
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| Whoa! I almost bought this book when I already had this perfectly good copy! |
TUROK #3. This is the first issue that the book was numbered on its own. The first two Turok books were tryouts in Dell's FOUR COLOR title.
The back cover. Sometimes with Dell comic books, the story would actually continue onto the back cover. Or they'd save it for a feature of some type. This back cover also shows the Dell "Pledge to Parents" that they set up so that they wouldn't have to be a part of the Comics Code Authority.
TUROK #6 had a story featuring a giant Kong-like gorilla. As DC Comics editors Mort Weissinger and Julius Schwartz had learned, if you put a gorilla on the cover, sales would be good. This issue shows up often at comic conventions, which leads me to believe that it sold relatively well.
I managed to get a really nice condition copy of TUROK #18, which has a nifty and effective T-rex cover, and Turok wrestling a primitive caveman who is after his technologically superior weaponry.
I don't buy many Golden Age comics. When I do, I tend to stick to things like Disney books and work by Walt Kelly. But every once in a while I'll purchase an EC comic, if the price is right. This copy of FRONTLINE COMBAT #9 was in lower grade and I got it really cheap. It's in nice enough condition for me to read and it's packed with what you expect from EC--great artwork by some of the best artists ever to work in the industry, along with stellar writing from the likes of Harvey Kurtzman and company. This cover was by Mr. Kurtzman, who was probably the nicest comic book professional I ever met. Marvel had its house of ideas inside Jack Kirby's head. EC had its greatest achievements from the mind of Harvey Kurtzman.
Finally, I completed my collection of the Ditko run of BLUE BEETLE from Charlton Comics. This pair of books are in about very good condition, much lower than the other ones I landed. But good enough for me, since I read my books. It's nice to see what Ditko was doing once he'd left Marvel and was working for Charlton, for DC, and for Warren Publications (and others). His artwork was as good (in some cases better) as his Marvel efforts, but the lack of a keen editorial hand weakened his plotting and Lee's hip dialog is almost always missed.
BLUE BEETLE #2. Ditko pencils, but it doesn't look as if he inked his own work here.
TUROK #4. Not a great cover, but decent. It possesses the drama of the better covers, but lacks color and, of course, a really cool extinct animal. I love mammoths, but kids want to see dinosaurs!
"Kill it Turok! Kill it likes it's a TV executive!"
To my way of thinking, this is one of the last of the great Turok covers (#22). After this, they just weren't quite as good as the ones that came before. However, the interior art and stories improved shortly before this, so the book's quality remained balanced.
Four Color #656, aka Turok #2. (Note the "Dell's Pledge to Parents". This was Dell's way of avoiding submitting to the hated Comics Code Authority.)
Turok #8...to my way of thinking, probably the most dramatic cover to appear on the comic (with the possible exception of #10).