Showing posts with label Bill Gaines. Show all posts
Showing posts with label Bill Gaines. Show all posts

Monday, July 08, 2019

And the World is Ending.

There's a term that the ancients used often. Hubris. I love that word. Somewhere along the way, after Constantine and his boys saddled us with monotheism, they essentially replaced it with the simple-minded word 'sin', which isn't really anything at all like hubris and in fact muddies the water so much that hubris sank and pretty much vanished from the popular psyche.

Which, I suppose, was part of the plan.

Mention the term to your average shmoe and you'll get a blank stare. And that's a shame, since your average shmoe is awash in it; is, in fact, drowning in it. Quite actually drowning.

Most people seem to while away their days sitting in a bathtub full of pop culture execrate. I'm not being too judgmental here, because I once did the same. Maybe not to the extremes as most other people, but I must admit that I had my own love affair with vacuous music, literature, art, and what passes as theater in the form of television and movies. (But no midget versions of the Great White Way down here in the small towns of the southern USA.)

However, I stopped watching our pop culture delivering a false message of immortality some time back. Now, I look for what the more religious among us call signs and portents. In their cases they're searching for indications that the anti-Christ is coming, that Armageddon is looming, that the Bible-defined end is nigh. Frankly, I can dig their attitude, even if my own curiosity for the end times comes from more technical locations and emanating out of sociological sources and not prophetic texts featuring Moses and his progeny.

I see humanity's termination coming in other ways. There is the inexorable march of extinction as our fellow travelers on this spinning globe vanish into the black hole we have dug for them, thinking that by filling it with all of those sacred creatures we are somehow hiding the fact that we have, in all actuality, carved out our own final resting place. We're just tossing our animal buddies in the tomb preceding us so that we won't go alone, as if we're some kind of multi-headed pharaoh. Every few days the news is there. Some other wonderful animal that has tread the planet for millions of years is no more. Maybe it's a precious species of rhinoceros. Or a type of gazelle. Or maybe some long-skulled gavial, or a blind dolphin that used to ply the muddy depths of a silt-laden river eating a shrinking population of fish.

Those who walk about with their cloak of hubris don't see it. Feh. Some stupid critters went out of style. Who cares? Humans will go on without that fucking rhino as if it had never existed. Or so they think. They're so wrong. They don't know how wrong they are, but that doesn't prevent them from being so very, very wrong.

I don't mention the web of life to these people. There it goes, another strand missing, the weight of Homo sapiens hanging onto the weakening filaments that bind what remains cohesively. I can see the anchors straining away, trying to hold up our collected mass of almost eight billion naked asses extruding shit as we eat every goddamned thing we can grab.

Hell, we even consume the crust of the planet, gouging it out, pouring it into the seas, despoiling the aquifers that we need for fresh freaking water.

Hubris. Frack that bitch. Get that oil. Draw out those metric gigatons of natural gas.

Sociologically, we are a horrid mess. I have watched as even the edges of our popular culture have withered and curled and become desiccated waste that is about to go up in flames. And no one cares because that very culture is throwaway and was intended as such and has already been tossed aside for the next big thing. The beauties of older days are forgotten and been rejected for the latest and greatest pussy du jour.

I recall times when bookstores were a given. If you lived in a town of even modest size there was a bookstore where you could go and shop. Yes, it was likely to be packed with insipid romance novels and silly potboilers and goofy fantasies. But there were always good books mixed in with the escapist fare where one could find them. And in the smaller towns you had libraries. Even in the tiny burgs where I sometimes lived I could go to a library and while away the day searching through books of geology and history, fiction and fact.

But now bookstores are fading. Even the vast factory chains that were supported by investors pouring billions of dollars into those brick and mortar walls are going away, company by company, chain by chain, location by location. Poof. Mr. Hubris grins stupidly. The stellar constant stares into the knowing void while we yammer away, thinking ourselves as persistent as being. Alas, nope.

If you'd told me when I was a kid wandering around the shelves of my parents' bookstores that there would be a time when finding even a used bookstore would be difficult, I'd have laughed at you. Are you loony? You should be bouncing around a cartoon cel with Daffy Duck!

A few days ago I saw that Mad Magazine is effectively ceasing publication. Once the most successful magazine on the planet, it was closing up shop. Yes, it always was a crass, crude, working class kind of silly pop culture. Why should I mourn its passing? I suppose I could spend tens of thousands of words educating you as to why it bothers me, but then I'd be as guilty of hubris as those who never saw that coming. So I'll boil it down for you:

It was, to a couple or three generations of US citizens a constant. It was always there, on the newsstands. Alfred E. Neuman staring out at you with that misshapen ginger face. Mad Magazine for all of its crude sensibilities had spawned an occasional blip of brilliance. Harvey Kurtzman created it. Wally Wood gloried in it. Don Martin swam through the pages. William Gaines profited from that glorious thing like crazy.

It was everywhere and permeated US society without really advertising itself. It was self-evident and mildly subversive. It may not have spawned revolution, but it presaged its coming. In a nutshell, it taught kids and overgrown adolescents that grownups and society lie to us constantly. And in that simple lesson it thrived and was--as I said--everywhere.

Well, until now. Now, it is gone.

Bill Gaines probably saw it coming when he emptied all of those mint condition back issue EC comics from his storage bins. When he sold off every page of original art that he'd ever published. (Yeah, he kept all of that art, that forward thinking capitalist bastard!) I think he saw it coming when he foisted off the magazine upon a corporate behemoth and shuffled his own fat ass into retirement, chuckling gloriously all the way to the bank, maybe not thinking too much of Harvey Kurtzman as he fled this mortal coil.

What does Mad Magazine have to do with mass extinction and the coming end of Homo sapiens? Frankly, I'm not sure myself, except that one got me to thinking about the other. And of that musty, ancient idea that those instigators of western thought came to term as hubris.

A world without Mad Magazine? A society that doesn't even know who Alfred E. Neuman is? You must be daft!

Our own existence is pop culture. Homo sapiens is just Earth's latest fad. We're the trilobite frozen in shale, the dinosaur locked in stone, the rotting mammoth carcass being vomited out of the melting permafrost.

Someday--and it will be soon--we'll follow Mad Magazine and that rare type of rhino down into the sucking black hole where existence ends. We won't terraform Mars and flee to that dead, toxic ball of frozen rock. We're not going to build starships and travel the galaxy. To paraphrase a certain pop-culture villain, the Universe expects us to die, Mr. Bond; and that's an expectation that will be fulfilled.

Hubris, or not, we're goin' down.

Don't say we weren't warned.



Wednesday, December 31, 2014

PIRACY #3, #4.

I picked up two more EC books for my collection: PIRACY #3 and PIRACY #4. They are part of Bill Gaines' failed effort to keep EC afloat as a comic book company after the comic book scare of the 1950s that all but killed the industry. And looking at these books I'm reminded once again how the Comics Code and its insane backers robbed us of the finest comic book publisher of the day.

Both of these covers are by artist Reed Crandall. Crandall was noted for amazing line work and attention to fine detail. He was considered one of the best artists around in the Golden Age and it was likely only the high page rates that Gaines offered his employees that enabled Crandall to be able to lavish the attention he needed to create his lush pages.

Gaines was keeping his stable of great artists busy for the year or so that he tried to change direction on his radical imprint. But it just was not to be. Not when he had MAD under his wing and which he was able to switch to magazine format to merely escape the pernicious Comics Code Authority.

Alas.

PIRACY #3 with a gorgeous Reed Crandall cover.

PIRACY #4 with another spectacular Crandall cover.

Friday, December 06, 2013

Sincerest

Flattery be damned. In 1954-55, the hottest comic on the newsstands was MAD, from EC Comics. Almost everyone publishing comics books wanted to imitate it. And the ones who didn't want to imitate it, wanted to kill it off.

But I'm not here to talk about any of the villains who wanted to destroy MAD. I want to mention what EC Comics did to protect their extremely profitable spot on those newsstands. Since almost every publisher was trying like mad to imitate MAD, Bill Gaines and company just decided that the best thing to do was...imitate MAD!

If someone was going to steal some of their sales numbers, it might as well be themselves.

So what they did was create a companion book called PANIC. It had the same writers, the same artists, the same publisher, the same Jewish sense of humor. How could it miss? And the thing was, of course, to kill off the weakest of the imitators by causing the fans to buy PANIC instead of CRAZY or GET LOST! or FLIP or CRACKED or MADHOUSE or WHACK or EH! or...you get the picture. The imitators were out there in droves. Some of them were pretty good, too.

I haven't been concentrating on completing a set of PANIC, but I pick up copies when I see them at a good price. Despite the fact that they are, in essence, exactly the same thing as MAD from exactly the same creators at exactly the same publishing house, you can get these books for a LOT less than you can issues of MAD from the same period.

The last copy I picked up was #7. Sometimes the covers of both MAD and PANIC were kind of bland or uninspiring to me. Such is the case with this issue. But there was something about these special joke covers that seem bland to look upon that inspired the kids of the day to buy the darned things. I reckon they knew what they were doing.

Some day I need to write an essay of how Harvey Kurtzman was fucked out of his position at MAD. It was his baby all the way, and it ended up making the publisher, Bill Gaines, one of the richest men in comics. But for now I'll leave that where it is and save it for another time.

PANIC #7


An ad for MAD from Kurtzman and Elder.

Just as with MAD, much of the humor in PANIC was topical. Most people today have absolutely no idea who Joe Palooka was. Palooka is just a word they heard in PULP FICTION. But it was prime material for parody in 1955.

Jack Davis, one of the most popular comedy artists at EC.

THEM was a hot commodity and still new to the screens. Wally Wood has a go at it.

Wally Wood was a great caricaturist and nobody did women like Woody.


Everyone thinks Marvel was the first publisher to connect with the fans. How wrong those people are! EC was adept at making (and keeping) a connection with its fans. The editors printed fan mail, and they bragged about the men who were writing and illustrating the stories that the fans kept coming back to read.

The average American is introduced to Jewish and Yiddish humor. Nobody did that better than the guys writing MAD and PANIC.

Friday, August 05, 2011

TWO-FISTED TALES!

I'm always hunting for bargains on cool, Golden Age comics. When I was a young man I had a really impressive EC comic book collection. For those of you who don't know about EC, it was the company owned by Bill Gaines who published Mad Magazine. Before he had Harvey Kurtzman create Mad for him (it started out as a comic book), he published comics. But he didn't just publish comic books. He published arguably the finest comic books ever created.

Gaines had a canny eye for talent and he intentionally went after the best comic artists in the business to work for him. You had to be something special to lay down the lines for EC. The artists who passed through its doors as employees is simply amazing. Jack Davis. Frank Frazetta. Al Williamson. Roy Krenkel. Bill Elder. Al Feldstein. Harvey Kurtzman. John Severin. Reed Crandall. George Evan. Wally Wood. Bernie Krigstein. Joe Orlando. Jack Kamen. Graham Ingels...
If you weren't among the finest, you didn't work at EC.

Years ago I sold off my EC books. The most I ever owned at any one time was 160 individual EC comics. But, like everything else that was collectible in those days, I sold. I was, after all, a retail merchant and that's what that stuff was to me. Product to be moved out, generally as quickly as possible. The ECs I managed to hold onto for some years, but they went out the door. It didn't take very long to sell them all.

These days I pick them up from time to time when the right deal comes my way. This past week I managed to grab a couple of issues of TWO-FISTED TALES. TWO-FISTED was an adventure comic, often with true stories featuring interpretations of actual events. John Severin did the lion's share of the cover art and seemed to have a story in almost every issue. It was his kind of book. That was something else about Gaines and his editors--they knew what kind of story fit a particular artist.

Alas, EC was killed off by the right wing madness that swept the USA during the 1950s. It was deemed that comic books were dangerous stuff for kids, leading them to become delinquents, drug addicts, and communists. So the kind of story that EC published--stories that pushed envelopes and crashed through barriers--couldn't be done there anymore, so Gaines sadly pulled the plug on his comic book empire, banking his publishing future entirely on one title--MAD MAGAZINE, which went to magazine format to circumvent the Comics Code Authority that had emasculated his other books.

So. Here are two old EC comics that I was able to grab for my personal collection. Nice books!

TWO-FISTED TALES #36.

TWO-FISTED TALES #37.