King Kirby Does Giant Gorilla!

Still writing. I don't see a break to write any detailed trip reports or essays for a bit. Maybe one about comics if I can steal a couple of hours.

In the meantime, more good stuff from King Kirby. This almost-Kong cover for Journey Into Mystery #65 is a real winner. This comic appeared right around the same time as Fantastic Four #1. Kirby had been telling Lee for several years that he could save Martin Goodman's comic outfit if they'd just cut him loose and let him create some new superheroes for the company.

Lee and Goodman finally relented and Kirby made history.

But the credit and the money were stolen from him.

Gorilla covers sold comics in those days.

Journey Into Mystery

My low-grade copy of Journey Into Mystery #77--this issue proved to be darker than most I own.

This is the latest addition to my pre-hero Marvel collection. A Journey Into Mystery #77. This is the book that Jack Kirby would later use to introduce the public to his superhero character, The Mighty Thor. However, this was some six issues before that happened. At this point, I assume that Stan Lee and Martin Goodman were just then discussing the possibility of their company dipping their toes into the superhero market for the first time in five or six years. It had been that long since they'd tried to revive their famous heroes of the Timely Comics era: The Human Torch, Captain America, and the Sub-Mariner. That had proven to be not so profitable for them, and since that time they'd left the super-heroes mainly to DC Comics.

But that's not a big factor at all for this issue of Journey Into Mystery. At this point, as far as the artist/writers working on the book were concerned, it was still mainly a combination science-fiction, fantasy, and horror comic. The stories in this book particularly span each of those genres. Goodman's company had been eking out a profit in this territory for some years, first as copy-cats of EC's great titles, and then just competing with a handful of other companies as the market continued to tighten.

This issue contains two stories by Jack Kirby, and one each from Don Heck and Steve Ditko. Kirby's stories, especially, seem to come wholly from the pen of Kirby with virtually no influence at all from any other quarter. Jack Kirby had been producing some truly creepy and disturbing horror stories for many years. When he really wanted to cut loose, he and Joe Simon had often created some truly monstrous images. Ironically, some of the most horrific illustrations that team ever produced came from titles they did with Harvey Comics, which most of us recall today as the home of Richie Rich, Casper the Friendly Ghost, and Hot Stuff the Little Devil, etc. The two Kirby stories here are darker than the usual fare that would indicate some input from Goodman's editor and nephew, Stan Lee. So my suspicion is that Kirby turned these in with virtually no outside help at all. Both feature some creepy imagery, and one ends with the implied killing of a man. Pretty dark stuff.

Man, this is just absolutely gorgeous Steve Ditko art. There weren't many the equal of Ditko during this time.

Journey Into Expensive Stuff

Here, then are recent additions to my collection, these being issues of JOURNEY INTO MYSTERY which later became the comic book The Mighty Thor. This latter bit is problematic for me since I collect the book for its anthology content and not for the Thor yarns. And because of recent developments in both collecting and in film, the issues featuring Thor are getting really expensive. I guess I can always try to land low-grade copies.

Great Jack Kirby cover. His monsters were like God Himself.

A low grade copy of Journey Into Mystery #88. The fifth appearance of Thor. Low grade, yes, but at least now I have that cool Ditko story in the back of the book.

And I got a great deal on this copy of issue #91. More strange tale weirdness in the back of the comic.

Journey Into Mystery

Yet another pre-hero Marvel comic book I picked up in the last couple of weeks. Classic Jack Kirby cover (maybe even inked by Ditko) and containing, of course, wonderful interior art by Jack Kirby and Steve Ditko.