Friday, March 08, 2013

I've Been Workin' On the Railroad...(And a Third THE NEW ECOLOGY OF DEATH excerpt):

THE NEW ECOLOGY OF DEATH is proceeding well. I'm in a really good rhythm on the writing of this book. This--what I promise to be my last zombie novel--is based on my short story "The New Ecology of Death". I rewrote it as a comic book script that was published in the final issue of Stephen R. Bissette's TABOO anthology.

No one was doing much in the way of zombie fiction back when I wrote that story. I had nowhere at all to sell it when I first wheeled it off the typewriter (yeah, it was even before wordprocessors). It was in my to-sell stack when I first got wind of Skipp and Spector's zombie anthology BOOK OF THE DEAD. They ended up rejecting it, but by that time (they held it a looooooooooooong time, Barbara), Steve Bissette had already accepted it for TABOO and I had adapted it to comic book script format.




So the story upon which I'm basing the novel is one that I've been walking about with for quite a long time, even for me. (And I'm notorious for not giving up on an idea or a project.) When I first wrote it I was maybe 26 years old. Now I'm 55. That's a long time. The germ of the tale came from, of course, George A. Romero's version of the zombie, and a flash of an idea that occurred to me while watching the great cult classic FIEND WITHOUT A FACE. In a bizarre way, I crossed Romero's themes with Lovecraftian vibes overflowing with imagery gleaned from my subconscious after viewing FIEND WITHOUT A FACE.

I hope to deliver the completed book soon to one of my publishers, Severed Press, who were generous enough to pay me an advance to write it. I know they say never to say never again...but in this case this will be my last glorious gasp of zombie fiction. Get ready.


This scene scared the crap out of me when I was a kid.


THE NEW ECOLOGY OF DEATH (an excerpt)
By
James Robert Smith.

She woke up early to get the house ready for guests. Jill Pittman was a soft touch and she knew it it—although in a subconscious way—and was the target of endless visitors. Just about the only thing that could stop any of her guests from frequenting her home was death. Either hers or theirs. So far, she had outlived any number of old friends and acquaintances. Sometimes the constant visitors were a burden bordering on the extreme, but the alternative was loneliness, and Jill Pittman found that to be unacceptable.

The old woman was a bonafide people person and nothing short of oblivion was going to cure her of that.

Every morning she took a quick shower. A good, hot shower. It always woke her up and got her blood flowing and relaxed her ancient muscles. Jill had never understood people who could sleep all night, sweating and drooling, and then could get dressed for the day without properly bathing themselves. Her husband had been like that, preferring to shower at night and then doing without a good bath until just before going to bed the next evening. The very idea made her shudder.

Of course Mr. Pittman was no longer with her. He’d succumbed to a sudden heart attack five years before. He’d not been around to witness the horrible thing that had occurred when the dead had begun to come back. She recalled Ben’s old arguments about how corrupt the US government was and how one day they’d all have to stand against it with guns and go back to the original intent of the Constitution. What an idiot he’d been.

Turning on the hot water, she was consciously happy and thankful for that luxury. If not for that government her husband had so feared and hated, she wouldn’t be able to take a hot shower with such ease. When, in the worst days of the infection, the police had shown at her door to ask her for her husband’s weapons, she’d only been too happy to respond positively. Since his death she had only touched them to keep them oiled and cleaned. Jill hadn’t even had ammunition for most of them and had been relieved to see them go with the men who’d arrived to remove the weapons. At that point the soldiers and the police had taken charge of the emergency and things were improving with each day. Those horrible creatures no longer stalked the streets and shadows and that monstrous explosion of random shootings came to a screeching halt.

Mrs. Pittman was glad for the government, for the security it had given them, and, yes, for the hot showers she could take of a morning.

It had been ages since she—or anyone she knew—had seen one of those infected things in the city. Even her son and most of her relatives who lived in rural areas and who called her (thanks to the government preserving the infrastructure) from time to time never reported them anymore. They were gone. Now she felt safe when she was alone in her house in the evening and she didn’t have to keep her windows blocked with thick blankets, peeking out in the light of day and taking them down only when she’d seen that everything was clear. In fact, all of those old shades and blankets were folded up and put away, or else were on the beds where they were supposed to be.

Outside, the wind was blowing up a bit. She could hear it pressing against the windowpanes as she stood under the stream of warm water, enjoying the feel of it as it washed away the soap and layers of sweat and dirt that she had scoured off with her rough wash rag. Jill preferred a rougher fabric to wash with, feeling that it got down into the pores more effectively and therefore she would emerge from the shower much cleaner, as she now did.

Toweling down (again with rough, textured cotton fabric), she climbed into her clothes—fresh underwear and her long yellow dress that she’d just bought at the Belk’s in the South Town Mall. Over that she pulled on a pearl-pale light sweater and put on a pair of her day-slippers of a similar pearl hue. She wasn’t going to go out, so there was no reason to pick a pair of shoes. The slippers would do fine.

Guests would begin arriving within the hour, she knew. Conway Diggs was coming—he’d been recently widowed, and Tootsie Avery would be there in quick order. After that, who knew who would arrive at her door for the hospitality she always offered and the food and drink everyone came to mooch from her.

That had been a negative thought, she realized. But it was true that often she felt that some of her guests really were there only to mooch. That Mr. Edmonds who had moved in two doors down seemed definitely only to arrive at mealtimes.  The previous owners of that house—a young couple—had unfortunately been victims of that terrible infection and the panic that followed. Why couldn’t she recall the name of that couple? Now she wouldn’t be able to think straight until she had recalled their faces and names.

As for Mr. Edmonds, he rarely had anything at all to say other than the bare minimum that one would expect from a guest. Most of the time, once food was served, he would just sit quietly alone and eat and then quickly excuse himself to go who knew where. Oh, well. If that was all that brought him there, it was all right with Jill. God, she knew, looked upon people such as herself positively. She would be received in Heaven when her time came.

As soon as she was dressed she spritzed herself with just a bit of the new perfume she’d picked up at one of the boutiques in the mall. Once again, she was reminded of what a gift the government had bestowed upon them all. When it looked as if things were going to fall completely apart, the folk in charge had done the right things at the right time. Her husband’s life-long worries and mistrust had been for nothing. And to think she had often been swayed by his crazy political ideas. Going to the kitchen, she was treated to the smell of newly brewed coffee. The machine had been programmed the night before and a large carafe was waiting for her. She poured a cup and took it black. Perfect.

She’d been thinking about what she was going to prepare for lunch. That Mr. Edmonds had told her that he had quite enjoyed her chicken salad the week before, so maybe she would make that. He lived alone and probably had no one to cook for him. In fact, she’d rarely seen anyone stopping to visit him. She frowned and plucked at her lip. What had that couple’s name been?

Now she had it. Tom and Irene Gladden! They were a delightful couple, now that she remembered their names. So young. How could she have forgotten them like that?

Going to the refrigerator she took out a dozen eggs. You couldn’t make a good chicken salad without some Grade-A Jumbo eggs. There was a faraway popping noise that she immediately recognized as the staccato delivery of gunfire. So familiar from the worst days, one hardly heard it anymore. In fact, it had been some weeks since the last time she’d heard that awful sound. She went to the sink and peered out. From there, she had a good look down the entire north end of the street, and could see Mr. Edmonds’ house. Daisy Calloway was walking her collie and had stopped on her way along the sidewalk beneath a bare cottonwood tree, staring off in the distance. Obviously, her neighbor had heard the sound, too, and was gazing in the direction from which the shots had come. Cars moved down the street in either direction, obeying the speed limits. The sounds did not come again and Daisy soon continued on her way.

Jill put a quart of water in a medium pot and placed it on the burner. Carefully, she put four eggs in, turning it to medium heat. Best to let them come to a boil slowly.

And then it occurred to her that the Gladdens had had two children. Twins, she suddenly remembered! Why had she let something like that slip her mind? Oh, she was getting absent-minded as she neared eighty. And not just twins, but girls. Identical girls, four years of age, quite precocious and blonde with green eyes, like their handsome father. Their names had been Alicia and Arlene and Jill had baked cupcakes for them once a month and…

Jill Pittman all but doubled over, as if suddenly sick. Only the fact that she was standing at the counter beside the sink prevented her from slipping to the floor.

Because now she remembered. The Gladdens had been victims of the infection. Mr. Gladden had come down with it. Later, the police had gone door to door telling everyone remaining how Mrs. Gladden had tried to hide her sick husband in one of the spare rooms. And he’d gotten out. Attacked his wife and had. Killed her.

Jill sobbed. The images she attempted to hide from herself came flooding back. The little girls, those two darlings, had tried to run. But they’d gone back for their mother who had been left bleeding along the street while their father…what had been their father…tore at the poor woman. And then he’d attacked them, also. From this very window Jill Pittman had stood frozen, unable to move, watching what had come next. Then, as now, the screams of the two girls and the sight of that blood had been too much for her. She’d fainted dead away. Now, darkness took her and finally, despite the barrier of the counter, she did slump to the floor.

In a while, though, her eyes fluttered open and she lifted herself from the cold, white Linoleum. Oh my, she thought. I mustn’t let anyone see me like this. Quickly she came completely to her senses and stood up. What is wrong with me? She couldn’t let anyone see her fainting that way. Too many of her friends and neighbors depended on her. Her son would have her put into a home if he saw something like that.

In the back of her mind, the thought of Tom Gladden was stuck like a virulent tick in the folds of her brain. She covered that thought and those images, but still it remained, waiting. And she was withholding that information back in some dark corner. But there, tickling at her conscious thoughts was what the police officer had told them all when he’d come to question them and warn them, each and every one.

“Tom Gladden—or what used to be Tom Gladden—has not been located. He could be anywhere. You should all keep your doors and windows locked just in case he…it…returns.”

But that two-year-old monologue was cloaked these days by something bright, anything at all, transforming from day to day to keep it at bay. Her mind had covered that over with something less difficult with which to deal. And it wouldn’t pop up again until it bobbed to the surface of its own accord.

So, she went back to preparing the salad, surprised to find that the water and the eggs were already boiling. Her feet made hardly a sound as she marched back and forth across the floor, moving from stove to sink to counter and back again in that order as she retrieved the ingredients and tools to make lunch for the half dozen or so guests that she knew would arrive well before noon. She had to hurry to get it all in order before the first of them showed up. The images and the very existence of the Gladden Family were forgotten once more, as if they'd never been.

And all the while, beneath her kitchen floor, in the dry and dusty crawlspace just under her slippered feet that scratched to and fro on that pale, clean floor, something that had once been Tom Gladden lay, staring. It just reclined there in the dust, motionless, gazing at the cobwebs and pipes and exposed wooden beans just above its hard and withered face.
 
“My name is Tom Gladden,” it thought. “I have been dead for two years. I killed my wife and children.”

Beyond that, it only waited, motionlessly, for...something.
 

Thursday, March 07, 2013

Self-publishing Ebook Advice.

Even though a hefty portion of my own book sales are via ebooks (but not self-published), I am not particularly happy with the form. Small press publishers are one thing. However, I see self-published ebooks as the end of literature. For that reason, I am listing the following advice for writers who wish to self-publish.

1: Don't do it. That's right. Don't self-publish your ebook. This is because, chances are, your book sucks Holy Roman Ass. And, yes, I'm talking specifically about YOUR book. Uh-huh, I've read your self-published ebook. Or, tried to. The thing is, they all suck, as I said, Holy Roman Ass. I don't care if your mom told you the book was great. It doesn't matter if your pal who lives two blocks over thinks it's the best thing he's ever read. And even if your third-period English teacher told you that you show talent...well, that teacher's lying to make you feel better...that's part of her job. In fact, though, your book or short story SUCKS!

2: Don't self-publish your books because we all know that you are an ego-mad and pretty much bothersome asswipe. And, yes, once again I'm talking about YOU. The market (such as it's called) is currently flooded beyond all hope of redemption with self-published garbage. I realize that there are a few among your number (but not YOU) who do know how to write. But what you're doing is adding to the shitheap that keeps anyone from finding those one or two novels in there with your muck that might be worth reading.

3: Avoid poisoning the book market; because you did nothing whatsoever to earn a place at my reading desk. Nothing. You never sold a story. You never went through the winnowing process that parted the wheat from the chaff. Your prose is like the extrusion from a bear's ass after it has been eating carrion and huckleberries. Yeah, it's runny, smelly shit. Keep your finger off of that publish button at Amazon and Smashwords. You suck. Your so-called "work" sucks. Your mom sucks for not spontaneously aborting you when you were just newly fertilized genetic material. You never should have fucking been born. I'm talking about YOU (if you're thinking of self-publishing).

4: Don't inflict the world with your awful prose by reasoning that because some self-published books are well written you think yours is one of them. Yes, I fully understand that there are exceptions to every rule. There have been--on EXTREMELY rare occasions--self-published books that won't make me vomit. But not YOUR book. YOU can't write worth a dingleberry on the anus of a 500-pound man whose ass has not been properly wiped in six years.

5: Bottom line, don't fucking self-publish. If you can't find a publisher willing to shepherd your work through to the light of print...then keep your puking awful prose to your puking self. And, yes, I'm talking to YOU.

"I'm self-publishing my great romance nove...BLARGH!"

"I just read your self-published novel and...BLARGH!"


Wednesday, March 06, 2013

The King's Last Hurrah

With the obvious theft of his intellectual property, Kirby had to be thinking of moving on well before he finally did take his leave of Marvel. I cannot imagine creating, writing, and illustrating any number of comic book properties, only to have authorship and ownership of them taken by a slimy shill and the corporation for which he worked.

I had long noticed that Kirby had all but ceased to create major characters for Marvel after issue #67 of FANTASTIC FOUR. In that issue he gave us the artificially generated superhuman that we would later come to know first as HIM and then as WARLOCK. I think that negative experience (Stan Lee utterly wrecked the narrative with his clumsy interference) showed Kirby that unless he had some solid editorial control, his work would continue to be misinterpreted and the products of the sweat of his brow stolen at every turn.

After the #66-67 storyline, Kirby pretty much stayed with established co-stars and villains with his flagship title. He would, of course, always find a way to toss in one of his unique monsters, but by and large he kept that strictly to his signature androids, robots, and aliens.

And the last great story arc he gave us with the book spanned four issues from #90 through #93. It's been said that Kirby was highly influenced by the original Star Trek episode "A Piece of the Action" in plotting this tale. That's quite possible. Kirby was obviously a movie fan and sometimes film influenced his work. If so, Kirby left that influence in a relatively minimal stage here.

He sets up the story on a world where, although possessed of advanced technology, the residents are stylistically and socially influenced by Prohibition-era USA. We have gangsters and street toughs and the dress and cityscapes of 1930s Chicago or New York. But instead of dealing in prohibited alcohol, the gangs who rule the roost trade in slaves, who are pitted one against the other in hand-to-hand (and lethal) combat in Roman-style arenas.

This story was classic Kirby and ALL Kirby. It was his life and his youth that was steering the content and the storyline. Not that of a middle-class wimp who had sat in an office his whole life and had never known poverty or hunger or been in the midst of a bare-knuckled fight in a ghetto neighborhood.

The Skrull-Slaver  arc was a story that only Jack Kirby could have told and he laid it out in such a simple way that not even that jackass sitting in the editor's chair could fuck it up. And this was Kirby's final moment not only to shine, but to show off his finest superhero creation, Ben Grimm.

The story begins with Grimm (Kirby) being fooled by a shape-changing Skrull disguised as Reed Richards (Stan Lee, his boss) who betrays him, gasses him, locks him up on a starship, and sells him into slavery (steals his ideas and intellectual property and making him a wage slave while the publisher grows rich). Even if on a subconscious level, this one is almost too obvious for words.

During the four issues, we are treated to some of the best writing Kirby was able to get past his unneeded (and fake) "co-creator". As I said, it was very difficult for even that jackass to fuck up Kirby's work here. There is great gangster speech, wonderful plot twists, and tons of action as only Jack Kirby could show it. And all during this long story, Kirby really only introduces one new character, that being Torgo, the gladiator who is supposed to defeat and kill Ben Grimm. And Kirby drew Torgo to resemble nothing so much as one of his robots so that it would be difficult to utilize him later in the way of merchandising.

Here then was the last great story-arc for Kirby on the FF. After this, he didn't attempt anything of such magnitude. It was his final big shout-out to his fans on the title, and probably at Marvel Comics.


Ben is betrayed and kidnapped.

Taken to a Skrull slave world in chains!

Fated to fight to the death against TORGO! (One of the best covers Kirby ever illustrated!)

The fight to the death!

Monday, March 04, 2013

BLEEDING KANSAS, by Roy Aiken

My old friend Lawrence Roy Aiken (who has long had a link here to his blog) is currently running his zombie novel online as he reveals each chapter and fine tunes the prose (not that it needs any fine-tuning).

Roy: Times Square, last century, magic moment.

For the zombie fans who frequent my blog and website, do yourselves and favor and go read some amazing fiction. Like the best zombie novels, this one transcends the genre and is just good fiction.

You can read BLEEDING KANSAS here.


Collecting Comics is Fun!

Now it's time to start zeroing in on the later issues of the Jack Kirby run of FANTASTIC FOUR. I've got most of the middle of the run (issues between #16 and #70), now I'm plugging the holes between #71 and #99. Today, I finished off the Kirby annuals, so I don't have to search for those anymore.




Toward the end, I think Kirby was trying not to create anything new for Marvel to steal from him. To that end, he was using characters he'd already established in the FF pantheon. This annual also contained a particularly good story that featured the Silver Surfer in a solo tale. It's an effective story that illustrates what a superb writer Kirby was.





Sunday, March 03, 2013

THE NEW ECOLOGY OF DEATH (A Second Excerpt)

Here's another excerpt from THE NEW ECOLOGY OF DEATH, upcoming from Severed Press.

The New Ecology of Death (an excerpt)
By James Robert Smith. 






“What did they say? Can you get one?” Beth had decided just to come out and ask, first thing. Why beat around the bush, waiting for a right time that might never arrive?


Davis shook his head, his black hair moving not at all with the movement. After a year of marriage she still could not get over how kinky his hair was. It was a tight mass of curls that would not give in to the tug of gravity. And as dark as the deepest night. “No,” he added.


“But…you’re a CDC official. You’re out late sometimes. You usually don’t even have an escort when you have to deal with the infected. They can’t expect you to depend on cops and soldiers.” She’d been at Davis for some weeks, trying to get him to allow them to have a firearm. But so far his requests had been denied.


“Look, Beth. They don’t just hand out those permits like gifts. It’s not like the old days. You know that.”

She sighed and sat down at the dining table. She hadn’t collapsed into the dark-stained oak chair, but almost. If you’d asked her, she wouldn’t have been able to tell you precisely why she wanted a gun so much. Things were calm, now. The danger was past, they kept saying, and it seemed so. The days of emergencies and air raid alarms had passed, and much damage had been done.


But she was afraid. She didn’t know if the fear would ever fade.


“There hasn’t been an outbreak in over six months,” Davis told her. He stepped in close and put his arms around his wife. Sometimes he wondered how much of their love was the product of the situation that had thrown them together, and how much was genuine. At least on his part the emotions ran deep, and he tried not to let his doubts about her feelings rise to the surface.


 “I know,” she admitted. It was true. The government had done an exemplary job in maintaining order and putting things to right. There were other places where things had fallen apart so completely and so utterly that they were considered now to be lost causes, failed societies that had stumbled when it came time to deal with the problem before it was too late. In the USA, though, the returned dead no longer menaced the living and the contagion that had initiated the emergency had faded to the background. It wasn’t gone completely, but it was only a bad memory now for most of those who had survived. “I just…I’d just feel safer if we…you know…had a gun.”


Davis Cotter was tired. He didn’t feel like going over the difficulty of getting a firearm permit one more time with his wife. When things had been at their worst, when it looked like it would get totally out of hand and the dead might actually start to outnumber the living, the government had put the hammer down. There were more deaths due to people killing one another with pistols and rifles and shotguns than from attacks by the raving bands of undead. So as the authorities mustered the military and the police to take out the monsters, they had also moved in with speed to disarm the population.


Dr. Cotter chuckled audibly and Beth looked up at him. “What’s so funny?”


“Those gun nuts. All of those tough guys. The whole ‘pry it from my cold, dead fingers’ crowd.”


Beth smiled, too, despite her disappointment. “Really.”


“Faced with the Marines and the Rangers and SWAT those guys had coughed up their guns faster than you could possibly have thought.” It was true. Hardly a one of them had fired a shot or chosen death over gun ownership. There had been a few, but they hadn’t been a problem.

“Oh, well.” Beth stood up and headed for the kitchen. The house was filled with the scent of baking bread. Challah bread, Davis’ favorite, and one which Beth was exceptionally good at preparing. Davis followed her. He really was tired, but always took the time to help her in the kitchen when he arrived home. That day had not been a terribly difficult one, and he’d gotten home before rush hour.


He laughed again. “You know. There was a time when I thought we’d never even have things like rush hour and heavy traffic again. It was a close call.” He breathed in the heavenly scent of the baking bread. “Damned close call.”


As a statistician for the local branch of the CDC he had seen the numbers in stark black and white. If the government had not acted precisely when it had in declaring martial law, things would have turned out differently. There would be no rush hour, no traffic, no cities, no stores, no TV, no movies; there would have been nothing at all but hoards of the dead and a few knots of humans trying to survive. And the computer models had shown them all that at that point it would have been a quick descent into extinction.

Without order, without government, without technology, humanity would have lost this fight.


As Davis laid out three plates at the table Beth pulled the food from the warming tray. The smell of a wonderful meal exploded into the spacious dining room. They’d moved into the house four months before and had filled it with antiques bought from government warehouses and from survivors of families who had not made it through those worst days.


“What about buying a gun without a permit?” she asked from the kitchen her husband of one year out of sight, only a series of sounds as he placed china and silverware and glassware on the table.


There was a moment of silence and Beth tried for a second to pretend that he hadn’t heard her question. But when she turned, a tray of beef and gravy in her mittened hands, he was there. He was not happy.


“Goddamn it, Beth.” He actually raised his pale, hard hand and pointed his finger at her. “Don’t ever say anything like that again. And don’t you ever try to buy a gun on the black market. The men who deal in that kind of thing are scum of the Earth—and not long for this world, I might add!” He was sincerely angry. Beth Cotter—formerly Mrs. Beth Wenzler—had rarely seen her second husband lose his temper, but now he was visibly angry.


“And if the authorities caught us in the act. Or caught us with an illegal gun.” He sighed and ran that hand through his wiry hair. “It doesn’t matter who I am or what I do for a living. They’d arrest the both of us and toss our asses in jail. I can promise you that.” He’d not raised his voice so much as a fraction of a decibel, but his brown eyes fairly blazed.


She went by him and put the tray on the table, passing him again to return to the kitchen for the vegetables. “Okay,” she said. “I won’t mention it again.”


“Don’t ever,” he said, following her. “They’d throw us both in the can and then where would Mark be?”


“Okay,” she repeated. Mark was upstairs, in his room, watching television. His favorite program was on and she was allowing him to watch it to the end before she called him down. “I understand. I’ll never mention it again.”


“I don’t want you to so much as think about it again.” He continued to stare daggers at his wife. “You should be thankful that Mark can still sit in his room and watch silly things like Power Rangers. I’m telling you if anything had been handled any less harshly, then he would be squatting in a dark room somewhere wondering when something would come and kill him instead of in a room surrounded by the same things we all grew up with.”


“All right,” she said, putting the squash and beans on the table. “That’s it. It’s done.”


Davis looked at his watch. “I’ll go get Mark. His Power Rangers show is over.”


She watched her husband walk out of the dining room and across the foyer to the staircase, his tread soft and light, like the man himself. He was tall, slender, intellectual; rich. None of those things she could have used to describe her dead husband, Walter. A shudder ran through her body and she had to sit again.

That was why she wanted the gun. When Walter had died, when he’d died alone in her cousin’s house and she hadn’t been there with him…


A sob escaped her throat, even two years after his death.


Everyone knew now that some of the risen dead held a few sparks of memory in their partially operating brains. Sometimes they remembered bits and pieces of whom they'd been and what they'd done when they’d been alive. Those fragments of memory didn’t make them reasonable or anything like a human being. But those memories sometimes tugged at them.


They’d never found Walter after he’d gotten up from that stained deathbed. He had wandered away, only God knew where.

And sometimes, it was said, they came back.

Excitement at Pemaquid.

I didn't take this photo. Found it on the Internet somewhere.

I've been to this spot three times in my life. It's called Pemaquid Point and is in Maine. The first time I went I was just a very small child. My parents turned their back on me and I wandered down that long spine of exposed rock to get a closer look at the ocean. But that day the surf was very rough with massive waves, some of them crashing completely over the rock. Yeah, I could have been swept out to sea.

All I remember about the event are the screams and adults running down to grab me up and take me back to safer ground.



Friday, March 01, 2013

FANTASTIC FOUR #27

The only time there was likely any input from the editor or the publisher on the comics created, written, and illustrated by Jack Kirby and Steve Ditko was on the occasion of crossover stories. To pump up sales on other titles and to make sure that the casual reader realized that the company's new characters were all under one umbrella and not associated with a rival publisher, there was likely the suggestion that each creator use characters from other books within their titles.

Thus, Steve Ditko might use Daredevil in a storyline. Or Joe Orlando might use Ben Grimm in Daredevil.

But it was Jack Kirby who seemed most adept at this type of thing. Or it could even be that it was his idea to maintain all of the characters within a single Marvel "universe".

Kirby was already using both the Human Torch (created by Carl Burgos) and the Sub-Mariner (created by Bill Everett) in the FANTASTIC FOUR title. In fact, within the first 33 issues of FF, Prince Namor had made no less than six appearances, rivaling him with Dr. Doom as the most utilized antagonist on the title to that point. Of course Namor wasn't precisely a villain. He was already a quasi-good guy. More of an anti-hero than a true villain. Of course this was the way Everett had first shown him to be as far back as 1938, so Kirby understood that was the way the character should be handled.

In the issue I cite here, #27, Kirby uses not only the Sub-Mariner, but also Steve Ditko's creation, Dr. Strange. Perhaps he just wanted to borrow Ditko's character for the yarn, but I'm betting that Goodman wanted the crossover to help pick up sales of STRANGE TALES which featured not only the Human Torch, but also Dr. Strange. I would be curious to hear from some comic book historians to understand how this story--and others like it--came about.

My copy of FF #27
Kirby had long meant for Susan Storm to be a sex symbol. He constantly used her as such, often making her a damsel in distress in the storylines. It was only after he gave her new powers--the ability to make things other than herself invisible, and to create powerful invisible force fields--that she ceased to be used as such and became at least the equal of the other members in power and ability. By the time #27 was out, Susan had only five issues under her belt with her new-found force field powers. She does use them briefly in this issue.

Kirby kept open the mystery of who was physically the most powerful character in the early Marvel Universe. Was it Ben Grimm? Was it the Sub-Mariner? The Hulk? Thor? It kept the readers coming back and created endless debate within fandom. And we see in this issue the constant romantic triangle between Susan Storm, Reed Richards, and Price Namor.


Dr. Strange makes his appearance and agrees to aid the Fantastic Four.

George Bell was not the best inker Kirby had. Not the worst, but he just didn't have the skill to maximize Kirby's brilliant layouts and pencils.