Perfection

I've never understood filmmakers who want to either recreate or follow a movie that is already perfect. (Or, for those who think there is nothing that is perfect, a truly excellent film.)

One of my favorite films is BLADE RUNNER, the 1982 production starring Harrison Ford, Rutger Hauer, and Sean Young. It is one of the few movies that I feel is about as perfect as they make them. Based on Philip K. Dick's novel, DO ANDROIDS DREAM OF ELECTRIC SHEEP, it takes the premise of that book and bends it to appeal to what was then modern sensibilities. It of course takes liberties with Dick's novel, but retains the seed that Dick intended. (I know this because PK Dick approved of the movie which he saw shortly before it was released and just before he died.)

The movie, to me, is a classic. Ford is used to great effect even though he is not--in my opinion--a very good actor. Rutger Hauer turned in what may be the best performance of his career portraying the child-like android, Roy Batty who is the leader of a small group of escaped "replicants" (artificial humans); and whose existence places him as a kind of Christ-like figure. The rest of the cast similarly give us amazing turns. Again, Sean Young as Rachel--a replicant who doesn't know she is not human--never looked better and never again turned in an acting job like that one. Small character roles like M. Emmett Walsh as a corrupt police captain, and Hy Pyke as Taffy Lewis, the sleazy owner of a drinking/prostitution establishment turn out pure performances and unforgettable voices and exposition. Joe Turkel is unforgettable as Eldon Tyrell. James Hong as Hannibal Chew. William Sanderson as J.F. Sebastian. Every actor was chosen brilliantly and directed to perfection.

Even the music (by Vangelis) is inspired. The direction is flawless. The script polished to a dark and horrific onyx.

The movie is, to me, as good as it gets. And yet, when I research the production of the film, I realize that it was saved as much as what ended up being left out of the storyline as by what was revealed onscreen. Scenes were eventually excised that would have ruined the movie. Further research has led me to conclude that studio executives who obviously had some amount of insight used a heavy hand to reign in the director, Ridley Scott. Putting lie to the idea that officious high-minded pricks are always a bad thing when it comes to creating art. In this case it seems that they saved a film rather than hindered or ruined it.

Since BLADE RUNNER is just about the best movie I've seen--and easily the finest genre film I've watched--I wonder what has possessed the money men to create a sequel. The best that they could hope to achieve, artistically, would be to equal the flawless original. And the chances of that are almost zero. So, given that they likely cannot even meet the quality of the first movie, why bother to make what will probably be considered a bland and lifeless movie when compared to the living, gleaming creation that was revealed to the public in 1982? It's as if they're courting disaster not just critically, but economically, also.

I don't think I'll watch the sequel. I won't even mention it by name. I just don't trust the odds that the talent and the pure chance and accident that created the merit of BLADE RUNNER can possibly be repeated.

Sean Young as Rachel: image of perfection.

M. Emmett Walsh as Bryant.

Joe Turkel as Eldon Tyrell.

Hy Pyke as the sleazy Taffey Lewis.

Career Surprise

I wrote THE FLOCK in the days when I didn't have an agent. I sold it that way...on my own, without the help of an agent. Then I got inquiries on the movie rights, and in a sequence of events I've talked about here before, movie producer Don Murphy expressed interest in optioning the film rights. That's when I got in touch with agent Robert L. Fleck who negotiated the deal for me.

After that, he asked me if I'd thought about writing a sequel. I think he was just cleaning up some details and wasn't encouraging me to do that. He just needed to know if I'd given it any thought. I told him that other people had asked me the same thing, but that I had no intention of writing a sequel. I'd pretty much made the statements I wanted to make with THE FLOCK and didn't see any real need to continue with those characters.

But the thought must have lodged somewhere other than the back rooms of my mind, because one day the idea for a second and third novel hit me. Not only did I suddenly have a decent pitch for a sequel, but for a third novel to complete a trilogy. Yeah, I was completely surprised.

So I wrote down the ideas and emailed them to Bob Fleck. He liked the ideas, too, and added them to the package he was shopping around to publishers.

And so, here I am writing a novel using a continuing cast of characters. I'd never really thought about doing that, but my second novel will be a continuation of my first one. I rather like the idea, and although I generally try to forget my characters as soon as I write "the end" on my novels, I'm having a good time getting to know them again.

It's going to be a lot of fun.