Showing posts with label BATTLE GROUND. Show all posts
Showing posts with label BATTLE GROUND. Show all posts

Saturday, July 21, 2012

BATTLE-GROUND

Battle-Ground was an Atlas war title (obviously). I bought this copy for the Russ Heath cover. Heath is one of the best comic artists who worked the industry, in my opinion, and is well known for his work on various war stories. He was a long-time artist on the Sgt. Rock series at DC.

This issue came out in 1954. Occasionally Goodman and Lee would land art from the EC artists. I'm not sure, but I think this issue came out around the time EC was having trouble from HUAC. During the time just before and just after EC's titles ceased publication (save for MAD which became a magazine to avoid the Comics Code Authority), many of the EC artists showed up doing work for Atlas. Of course some could not remain there because Atlas just didn't pay the rates they were accustomed to making at EC, which were among the highest in the industry.

But from time to time you'd see Jack Davis, John Severin, and even Bernard Krigstein showing up to produce stories for Goodman and Lee.

I was surprised at the quality of work in this issue of BATTLE-GROUND. I may end up having to purchase some more of these Atlas war comics.


Tuesday, July 19, 2011

BATTLE GROUND #17

Sometimes I'll buy an old book based on the cover and the possibility that it might contain an interior story by an artist whose work I admire. So it was this issue of BATTLE GROUND, a war comic published by Atlas Publications, the company that later became known as Marvel Comics. The cover looks to be by John Severin, one of the greats of comic book art, so that was a plus. Also, this issue (#17) came out in 1957, the year of my birth. With all of that, anything inside was just going to be a bonus as far as I'm concerned. But I bought it online and wasn't sure what the interior stories would be.

And as it turned out, I did get lucky. This issue featured a story by Gene Colan, who recently died, one of the best artists of what we know as the Silver Age of comics. He later went on to become the definitive artist for both Sub-Mariner, Iron Man, and Dracula. When this tale was published Colan was already a comic art veteran of thirteen years! I was pleased to discover this story.