Wednesday, May 20, 2015

Heading Out!

Well...I likely won't be posting here much over the coming week (if at all). Off to Florida for about ten days of camping and kayaking. Andy and the cats will hold down the fort until we return.

Later!

Andy.

Lilly.

Cairo.
 
See ya later, Alligator!





Tuesday, May 19, 2015

A New Excerpt.

I have had some projects going for a couple of years, one of which was really holding me back. At last, it's finally done and I can continue with the other ones that I know I need to finish but which have been blockaded by that one angry job that I couldn't quite finish.

I also have two short stories to write for anthologies to which I've been invited. And today I felt so good about working on what I want to do (instead of what I felt I had to do) that I started on a short story that I'm writing for no reason at all, except that I feel like it.

That's a good sign. Here are 300 or so words of it.

“It Won’t be Long”
By James Robert Smith

Jonathan stepped off the curb and into the street. He rarely bothered to check for oncoming cars anymore. There really wasn’t much need for that.

Not these days.

Halfway across the street he heard the almost silent purr of a car engine and looked toward the Park boundary to see a late-model sedan headed toward him. It was going very slow. He couldn’t recall the last time he’d seen anyone driving more than ten or fifteen miles per hour. 

He tried to remember when he’d last seen a motor vehicle driving too fast to dodge. Months, at least. Half a year, maybe.

With plenty of time to stroll casually across the brick way, he ambled to the other side and turned to see who it was driving interminably in his direction. When the car was a few meters from him he recognized the driver’s face, but didn’t know her name. It was that young woman who had appeared in town some weeks back, at the end of May. She was maybe twenty-five years old, if that. Short and well-built with dark brown hair and emerald green eyes. And she was almost always crying when he saw her, it seemed.

Yes. She was crying, now. As she motored past him, her gaze straight ahead, he could see the tears pouring down her face, her complexion ruddy from the exertion of the amazing sadness of it all.


Jonathan averted his eyes as the car purred by, not wishing to accidentally meet her gaze. He recognized the agony in her face. It was much the same of the same feeling that greeted him each morning when he woke up and looked in the mirror.

She was missing someone. Some people. Husband, children, family, friends.

So many were gone, now.

He sighed.

It wouldn’t be long until none of them were there.

Monday, May 18, 2015

MINESHAFT #31

When I was a young man you could find amazing underground comics at any number of venues. In those days the world of independent comic book publishing was pretty tough, but quality seemed to find a home and a way. Some comic book shops carried the work of the creators we now think of as masters of the subversive comic book world. And the old head shops almost always had shelves full of comic book works by the likes of Crumb, Spain, Lynch, Irons, London, and the many others who filled pages of amazing comix with disturbing fiction and dangerous facts.

These days there is still something of an alternative comics marketplace, but in relation to what was here from the 60s through the late 80s, it's pretty tame and frankly no more dangerous or expansive than watching a kitten at play. The good ol' days in the world of politics and comics are unfortunately faded.

Except for one digest magazine.

MINESHAFT. This publication is produced right here in my current home state of North Carolina. Within the pages of this booklet one can find some of the great old underground cartoonists and some of the best from recent years and some who are completely new to me.

It's like discovering the old magazines for the first time when I was a young man. Within these covers (and actually on the covers!) you can discover some of that old danger that made the undergrounds so exciting and important.

I highly recommend the magazine and suggest that you subscribe. (They accept Paypal!) It's the only place I've discovered in recent years that publishes the type of comics used to set us all on edge.

A new Jay Lynch cover (and interiors!)

Crumb!



Where else can you find a comic starring and quoting Slajov Zizek?!



And exquisite renderings from Robert Crumb's sketchbooks.






Saturday, May 16, 2015

Interview With Michael Hodges, Author of THE PULLER.

I discovered Michael Hodges a few years ago when I ended up doing a promotional blurb for a novel he and his agent were shopping around. Later, he sold a novel to one of my publishers (Severed Press) and I was absolutely floored at how well written it is. Truly a spectacular book and a great debut for a guy who I think is going to produce many wonderful works of fiction.

He has agreed to do a short interview here at my blog. And here it is:

JRS: THE PULLER is one of the best monster novels I've read in a very long time. Unique in many ways. What gave you the premise for the critter, and is there a Lovecraftian element to the monster?
 
Thanks, James. The premise is a combination of things. Back in my late teens I spent the night in my single cab Toyota pickup (the one in THE PULLER) in the Upper Peninsula of Michigan. I drove deep into the woods to see where the logging roads ended  (they didn’t). Then I woke at 3 am with terrible anxiety, and proceeded to haul ass down the main forest road. For whatever reason, I felt I needed to flee from something. What exactly I couldn’t say. I remember my headlights creeping me out as they illuminated the tunnel canopy. The other is from the Evil Dead. I loved the camera work where you were the “spirits” zooming towards the cabin while the Pompei-era Pink Floyd noises played. I wondered what it would be like to have this happen in reverse, that if Matt Kearns tried to leave the cabin, he’s pulled back by something he can’t see.

As far as a Lovecraftian element, I was not conscious of it while I wrote the novel. The Being (or the Puller, take your pick) is really anything you want it to be, which is why I don’t truly show what it is. It’s nature’s defense mechanism against over-logging. It’s some random thing that came down during a massive solar flare. It’s your significant other abusing you. It’s your job you hate. It’s a disease. The Puller is anything that keeps you where you don’t want to be.
 
JRS: What about the setting? Why the Huron Mountains? Have you spent a lot of time there?
 
Michael Hodges: Yes I did. I spent many weekends there in the summer and falls of my youth. I chose the Huron Mountains because they are one of the oldest ranges on earth and because I am familiar with the flora and fauna. But they really aren’t mountains anymore, more like sad knobs. They were once as tall as the Rockies. There’s something melancholic about that which compels me. It makes us feel small and weak. If these once grand mountains can’t survive, how can the human species? Then of course, there’s the flipside: they’re still there, aren’t they? There’s always a kernel of contradiction which attracts me.

The Hurons, and the Upper Peninsula of Michigan has .01 percent of its original old growth forest remaining. The place was absolutely hammered. Yet it still harbors wolves, cougar, and fisher. It’s taken a beating, but somehow, someway, keeps wriggling its toes. The story of Matt Kearns is no different. Also, some of the best examples of the last old growth exist back in those fold of granite. If value is judged by scarcity, those are some valuable trees.

 
JRS: I admired the way you made integral characters out of wild animals? Does this reflect your feelings about the creatures who live on the planet with us?

Michael Hodges: I  don’t consider animals as “lesser” than human. I believe that every living thing should be treated with respect and kindness.  Writers who focus solely on the human perspective and urban ecosystems lose me.  It’s such a limited viewpoint, and completely self-involved. There’s so much more to this world.
 
JRS: You mentioned to me that you did not outline the novel. Did this make the act of writing it easier, or more difficult? Was the process thus more organic than it otherwise might have been?
 
Michael Hodges: Easier. I had a basic premise (a guy trapped by an invisible creature at a mountain cabin), and went from there. Each day I’d get more ideas while writing and jot them down in Windows Notepad if they didn’t fit into the day’s word allotment or sequence. I love how Stephen King describes this as “uncovering a fossil” each day. Others call it “pantsing”. The joy of discovery is like a drug for me. 

First drafts are by far my favorite part of the writing process. And I like your word choice of “organic”. The character is trapped, let him/her work their way out organically. Get out of the way and let them tell the story.
 
JRS: Have you placed any more novels with any publishers?
 
Michael Hodges: We are in the process of that. I have seven novels completed and ready to go. I want the next novel sale to be its own thing. I have series-itis. I think I’d kill myself if I had to write fourteen books on the same character….I don’t care how much money they gave me. I  just couldn’t do it. Time is more valuable than money.
 
JRS: What can you tell us about the film option and the people who will be producing the movie?
 
Michael Hodges: Well, I’m not sure I can say a whole lot. But I can tell you it’s the talented Sonny Mallhi, producer of THE STRANGERS with Liv Tyler. It’s an amazing film.
The first draft of the screenplay should  be nearing completion. I’m thrilled Sonny has the option, because he makes movies about people being trapped, and I write novels about people being trapped. I think he’s going to make an incredible movie.

I want to say here that Michael is a unique and multi-talented individual. He earns part of his living as a wildlife photographer of great skill. I am hoping to get him to showcase some of his favorite wildlife photos here at the blog in a day or so.

THE PULLER by Michael Hodges.
And here's my review of Michael's first novel. I mean what I say.

"My first reactions was that this can't possibly be a first novel because it is so well constructed and so effectively written. But it is Hodges' first publication in novel form. What he does here is absolutely amazing and THE PULLER is easily one of the best monster books I've read in many years (at least since Owl Goingback's CROTA).

Hodges delivers some exceedingly fine prose throughout the novel and creates a sense of place that is sharp and clear. I've never visited the Upper Peninsula of Michigan, but Hodges makes me feel as if it is now familiar territory. And not just familiar, but at the same time striking and damned frightening.

THE PULLER deals with the story of a young man (Matt Kearns) who retreats to his family's fishing cabin located in the wilderness of the forests in the Huron Mountains overlooking Lake Michigan. He's there to gather his thoughts and collect his emotions after the deaths of his father, his girlfriend, and his loyal dog. While there, he encounters and is subsequently trapped in the isolated cabin by a monstrous creature referred to as "the Puller" (you'll find out just why, and it's not pleasant). It has been a very long time since I've seen a writer create so effective a monster as the Being in this book.

Along the way to this situation we are treated to a number of fascinating characters that include a cast of animal inhabitants of the Upper Peninsula, all of whom have some connection to Matt. Hodges proves himself to be a master of foreshadowing and of connecting disparate strings of plot to weave an absolutely startling tale. His skills are so good that you don't expect the prose to be uniformly perfect, but that is the case.

THE PULLER comes with my highest recommendation. It is, as I said, one of the best monster/horror novels I have read in a very long time."



Wednesday, May 13, 2015

FANTASTIC FOUR #13

I haven't added a significant book to my Fantastic Four collection in a while. Today I nabbed a copy of issue #13. This was a book I'd been searching for in the right grade at the right price for some time. I finally got lucky and got one from a back issue dealer here in North Carolina.

This book is a nice pickup for several reasons. It features the first appearance of one of Jack Kirby's major creations, The Watcher. And fortunately for me, and for some reason which I cannot fathom, the Watcher's first appearance has not unduly affected the book's price (as yet). If they ever put him in a film, the "value"of the book will insanely go through the roof. But for now I was safe and got it for a very reasonable price.

Another thing I quite like about this issue of the comic is that it was inked by Steve Ditko. Ditko did not ink very many of Kirby's stories, so it's always a treat to see the results when it did happen. I especially like his interpretation of Ben Grimm as the Thing, which is so different from that of most other artists who inked Kirby's pencils.

All in all, I was extremely happy with this addition to my collection!

My copy of FANTASTIC FOUR #13.

Sunday, May 10, 2015

Springs

Carole and I both love visiting the various large freshwater springs in Florida. Whenever we head down there we research the area to see if we're going to be anywhere near one that we haven't seen. Our favorites are the largest of these--known as "first magnitude"  springs. The more isolated they are, the better. Since we bought our kayaks we've begun visiting the more hard-to-find springs and enjoying the solitude and the vast array of wildlife that surrounds them.

While doing research on the panhandle area where we'll be camping, Carole found information on one that not only have we never seen, but which we didn't even know of. It's a really big, first-magnitude spring so we'll take our kayaks along and explore the spring run that flows out of it. We are really looking forward to this trip.

Blue Spring.








Silver Glen Spring.



Friday, May 08, 2015

Wilderness.

My favorite places to hike and backpack are in wilderness areas. The main reason for this is that I have found that many wilderness areas give me the best chance to find solitude which is often lacking in many National Parks and National Trails (such as the Appalachian Trail).

Following are some videos that I've made while hiking or backpacking through various wilderness areas (the first, ironically, along the Appalachian Trail).